Ordinary Omens

by LeAnn Bjerken

Ordinary Omens is an exploration of moments in our lives that have a connection to the extraordinary. The poems seek understanding of both common and unusual occurrences, examining their ties to nature and the natural world, as well as the supernatural via the tools and rituals associated with faith, superstition, luck, and magic.

Here you will find a yearning to understand the past (both our own personal history and that of others) and how it influences our future. In these selections, Bjerken dives into the timelessness of love, the fearful and wondrous gift of motherhood, the presence of hope amid uncertainty, the power of faith, and the resolution of a repeated wish.

Early Praise for Ordinary Omens:

Ordinary Omens combines earthly beauty with cosmic magic. Each poem contains its own universe, paying tribute to our senses with detailed imagery, and at the same time, reaching out to the mysteries of the universe. The poetry touches the true and authentic inner longings of the readers and carries us toward deeper realms involving the intersection of our own personal language with a new voice from the Muse, the voice of LeAnn Bjerken. The reader will soar on the wings of pure poetry, poetry our world needs now more than ever.

—Nila J. Webster, author of Remember Rain
and Songs of Wonder for the Night Sea Journey

LeAnn Bjerken’s Ordinary Omens reads like a book of rituals, potions, incantations, and talismans for conjuring the magic that only domesticity can make. With trusting intimacy and captivating sensuality, Bjerken traces the ecstatic, headlong cycles of desire and fulfillment from which enduring love is spun. Her poems remind us that, in our loving and loved bodies, we are of the same dirt as the earthworm and burrowing rabbit, the same air as the birds, the same water as the minnow born ready to swim and make a home in—and of—this world.

—Jonathan Johnson, author of May Is an Island

LeAnn Bjerken’s Ordinary Omens opens with a spell and then casts one. The speaker takes us from her birth through key moments in her life, focusing primarily on the experience of falling in love, and these ordinary experiences are made extraordinary through Bjerken’s surreal images. One of my favorite poems in this book, “Keep on Floating,” feels like a Marc Chagall painting in that it’s a real world made less and more real by being tilted sideways: I stay home to climb the walls with you. / We walk the ceiling / tripping in the door frames / stepping around lights. Reading this book feels like we’re in a world that is both familiar and new, made so by the magic of language and love.

—Laura Read, author of But She Is Also Jane

About the Author

Originally from Minnesota, LeAnn Bjerken holds an MFA in creative writing from Eastern Washington University. A former journalist, freelance writer and mermaid performer, she has temporarily traded her fins for legs in order to better keep up with her daughter. Her poetry has appeared in Miracle Magazine, The Pacific Northwest Inlander, Spokane Coeur d’Alene Living Magazine, and online publications including Devilfish Review, The Artistic Muse, The Lake, Fox Adoption Magazine, and Plants & Poetry Journal. When not out seeking inspiration, she can be found at home snuggling with her husband Steve, daughter Eowyn, and cat Tikki.

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Remote Control

by Laura Esther Sciortino

The work in this collection is a practice in ordinary love, both longing for and celebrating connection. Here, we may partake in reading as if a friend speaks to us directly. This friend that—despite mistakes and overreaching—invests herself with unabashed earnestness in the greenest of hope, imagination, freedom, beginner’s mind, surrender, and renewal.

Enjoy a Video of Laura Reading from the Book:

Early Praise for Remote Control:

Adopting many guises, the speakers of Laura Sciortino’s smashing new chapbook Remote Control at times give advice, provide witness, make prayers, lament, gossip, agitate and soothe. The mix includes small invitations, such as “Swell,” whose lyrical sentences entangle gestures domestic and marine, and the dense canopy of “Green,” whose lush prose block sways with need and rebirth. Sciortino suggests her mission and method here in “Not My Last Words,” warning, But my work is not / to tell/ My work / my love is to show.

—Ed Skoog, Author of Travelers Leaving for the City

With sass and swagger, with spunky outspokenness, with humble wonder, Laura Sciortino offers us her debut book of poems. In this collection where paying attention is a kind of love, Sciortino’s work finds its own easy place / a moggy right place / clear as water / old as sunlight.

—Paulann Petersen, Oregon Poet Laureate Emerita

Sciortino’s poetry Remote Control opens up to the vulnerable self with wit, memorial, potency, and song. Alternatively commanding and beguiling these poems speak to the lyricism of sexual attraction and attrition, moving with a shining intelligence through the fragile units of the family and the powerful bonds of friendship and marriage. Sciortino places her work at the center of lived experience, she has a fantastic eye for our embodied metaphors in pockets, remotes, and drill press. We read to know a life other than our own. These poems are a delightful introduction to Sciortino’s perceptive modern vision, through the lens of a wondering and generous talent.

—Merridawn Duckler, author of Idiom, Interstate, Misspent Youth and It’s a Wonder

In Laura Sciortino’s debut chapbook, Remote Control, her lyrically adventurous, playful, and irreverent poems offer wisdom on navigating the human condition. Like the mall vending machine where, at 13, she inserted one dollar and my cursive / for handwriting analysis, Sciortino’s poems dispense elegant, idiosyncratic advice mixed with the fruits of her own loving and astute attention.

It’s better to show than to say she writes in “Advice for a Young Woman Looking for Love” and show she does, through dazzling images and skillful wordplay. With wit and insight, she explores the vivid and mundane moments that make up a life, from postpartum muck, slipped condom funk, to being certain as a fiery coal, purple hot and set to cook, to learning to relax in a moggy right place / clear as water/old as sunlight, all the way to death and beyond.

[M]y work is not/to tell / My work / my love is to show, to point, to offer as gift Sciortino writes in “Not My Last Words.” And what a gift this book is to all who read it.

—Rebecca Jamieson, author of The Body of All Things

About the Author

Laura Esther Sciortino writes poetry, fiction, and lyric essay. Her work has appeared in The Comstock Review, Muse/A Journal, great weather for MEDIA’s Escape Wheel Anthology, Dadakuku, The Flying Dodo, and Unleash Lit. Along with her husband, son, and their three affable cats, Laura lives in Portland, Oregon.

To learn more and get in touch, please visit LauraEstherSciortino.com.

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by Carolyn Martin

Nothing More to Lose is an intense, hair-raising, and hopeful account of one family’s resilience and faith. With poems based on Therese Kolbert Dieringer’s autobiography (My Life – Lived and Remembered: A journey across Hungary, Germany, and America), Carolyn Martin tracks the Kolbert family as they escape from Hungary in 1944, endure seven years of starvation and sickness in Germany, and arrive to a new life in America in 1952. Refugees who know neither the language nor landscape, they finally find some semblance of peace in their new home.

Martin knows her subject well. Dieringer is a family friend whose autobiography she edited in 2008. This intimate connection flows through powerful free verse poems that are filled with immediacy, insight, and compassion. Nothing More to Lose will open readers’ hearts and minds to the challenges that refugees in every era experience. It will also affirm the power poetry has to bear witness to that suffering and to the strength lying deep within the human spirit.

About the Author

From associate professor of English to management trainer to retiree, Carolyn Martin is a lover of gardening and snorkeling, feral cats and backyard birds, writing and photography. After years of producing academic papers and business books, she discovered that poetry is the way her heart and mind interact with the world —in images, rhythms, sounds, and intensities of language. So she has settled into the joyful challenge of translating experience into as few words as possible.

Martin’s aesthetic is embodied in Jack Kerouac’s comment in Dharma Bums: “One day I will find the right words, and they will be simple,” and in Sting’s statement, “All my life I have tried to find the truth and make it beautiful.”

Her poems attempt to use simple words to embrace truths wherever she finds them, and to turn them into something approximating the beautiful.

Her poems have appeared in journals throughout North America, Australia, and the UK, and her fifth poetry collection, The Catalog of Small Contentments, will be released by The Poetry Box^® in 2021. She is the book review editor for the Oregon Poetry Association and the poetry editor of Kosmos Quarterly: journal for global transformation.

<www.carolynmartinpoet.com>

Enjoy a video of Carolyn reading from the book:

CAROLYN MARTIN — A Featured Poet on The Poetry Box LIVE (Feb 2021)

Early Praise for Nothing More to Lose:

It would seem that Carolyn Martin, the poet, and Therese Kolbert Dieringer, the persister, have become quantumly entangled—that state of essential being in which what happens to one happens to the other, what is felt by one is felt by the other, no matter any barriers of time or distance. How else to explain Therese’s experiences—surviving Nazis, spousal abuse, and being found by new, liberating love—expressed with such first-hand poetic beauty by Carolyn’s stirring and sterling lines? Alert Bohr and Planck! Martin and Dieringer have established the principle of poetic entanglement and extended it to us. Thomas Merton wrote, “We have all stood in front of that special image that sang to our soul.” Were he alive today and asked for an example, he would hand the person this chapbook.

~Wayne-Daniel Berard, co-founding editor of Soul-Lit: a journal of spiritual poetry  and author of The Realm of Blessing

In her introduction to Nothing More to Lose, Carolyn Martin says, “… even in the worst of times, people can be kind.” That idea buoys these poems that share a truly horrific tale of survival beginning in WWII Hungary. Through Martin’s deftly crafted images, we see into the life of Therese Kolbert Dieringer as she and her family flee Nazis, bombs, starvation, and more. The long journey that concludes in America brings Therese to a safer, but not necessarily less cruel, place. I had to take little breaks as I read these poems; that human beings are capable of causing so much pain is nearly unbearable. But Dieringer’s voice comes through each of Martin’s poems showing how kindness and cruelty co-exist in us all, and how true strength and resilience cannot be extinguished. Most importantly, kindness wins.

~ Kathleen Cassen Mickelson, cofounder of Gyroscope Review
and blogger at One Minnesota Writer

In Nothing More to Lose, Carolyn Martin has read and written my soul. No one has been able to feel what I felt before this poet shared her inspired words with me and now with the world. I spent more than 70 years trying to forget the events that shaped my life and gave me nightmares. Now, through working with Carolyn on both my autobiography and this chapbook, I feel healed. The nightmares are gone.

I hope these poems will help readers find courage in the realization we are not here on our own. We are guided by a Higher Power. This book is a good way to end my journey.

~Therese Kolbert Dieringer

The post Nothing More to Lose appeared first on The Poetry Box.

by Lanser Howard

Silence can be as sweet as the most beautiful symphony. Or it can be a scream—so terrifying it will keep you up all night trying to get it out of your head.

Loss has followed Lanser Howard his whole life, clinging to him like a wet coat. And during such times, it is the silence that always seems to speak the loudest. It screams truth, and anyone who has gone through deep, dark pain knows this. Too often, this screaming silence feels inescapable—like you can never turn it off—and can make you feel like you’re losing your mind. You will do anything to block out the noise of The Screaming Silence.

In his first full-length poetry collection, Lanser Howard examines loss, the most bare-bones of human emotion. He takes readers on a merciless journey through the depths of agony and grief—through The Screaming Silence—and then into the light of hope. Hope to have the courage to fight on.

READ SAMPLES FROM THE BOOK IN LANSER’S FEATURE ON MEDUSA’S KITCHEN.

About the Author

Lanser Howard began his career as a journalist and then transitioned into film where he wrote and produced an award-winning documentary film and other screenplays. His sole focus now is on poetry and literature with The Screaming Silence as his first full-length book of poetry.

An Oakland, California native, now living in the Sacramento area, Howard travels the country selling food products by day, writer by night.  He has worked extensively with combat veterans filtering their traumatic experiences through his eyes in much of his work to show you their world after the smoke clears, but the gripping pain remains.

Howard’s visceral, minimalistic style paints hard-hitting portraits of the dark and lonely process of fighting through tragedy and loss and how to heal oneself with words, hope and an unwavering strength of self.

<Instagram: @lanserhoward>

About the Artist

For James Picard, art is life. He works feverishly, seizing every opportunity to create the vivid and striking images his mind conjures up, whether that be painting, drawing, writing or film making. His work has been featured in almost 200 art exhibitions throughout North America and Europe.

Picard was the first artist to exhibit his paintings at the historical Alcatraz Prison in San Francisco, part of his “The Dark & The Wounded” painting series and world art tour which he filmed and turned into a documentary, and which won awards across the North American Film Festival circuit culminating in a screening in May 2018 at the 71st Cannes International Film Festival.

Picard is an  talented artist with a big heart. He has received many awards and accolades for his artwork and for his contributions to communities and charities throughout North America. He currently lives in both Los Angeles, California and Vancouver, British Columbia.

<www.jamespicard.com>

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