Remote Control

by Laura Esther Sciortino

The work in this collection is a practice in ordinary love, both longing for and celebrating connection. Here, we may partake in reading as if a friend speaks to us directly. This friend that—despite mistakes and overreaching—invests herself with unabashed earnestness in the greenest of hope, imagination, freedom, beginner’s mind, surrender, and renewal.

Enjoy a Video of Laura Reading from the Book:

Early Praise for Remote Control:

Adopting many guises, the speakers of Laura Sciortino’s smashing new chapbook Remote Control at times give advice, provide witness, make prayers, lament, gossip, agitate and soothe. The mix includes small invitations, such as “Swell,” whose lyrical sentences entangle gestures domestic and marine, and the dense canopy of “Green,” whose lush prose block sways with need and rebirth. Sciortino suggests her mission and method here in “Not My Last Words,” warning, But my work is not / to tell/ My work / my love is to show.

—Ed Skoog, Author of Travelers Leaving for the City

With sass and swagger, with spunky outspokenness, with humble wonder, Laura Sciortino offers us her debut book of poems. In this collection where paying attention is a kind of love, Sciortino’s work finds its own easy place / a moggy right place / clear as water / old as sunlight.

—Paulann Petersen, Oregon Poet Laureate Emerita

Sciortino’s poetry Remote Control opens up to the vulnerable self with wit, memorial, potency, and song. Alternatively commanding and beguiling these poems speak to the lyricism of sexual attraction and attrition, moving with a shining intelligence through the fragile units of the family and the powerful bonds of friendship and marriage. Sciortino places her work at the center of lived experience, she has a fantastic eye for our embodied metaphors in pockets, remotes, and drill press. We read to know a life other than our own. These poems are a delightful introduction to Sciortino’s perceptive modern vision, through the lens of a wondering and generous talent.

—Merridawn Duckler, author of Idiom, Interstate, Misspent Youth and It’s a Wonder

In Laura Sciortino’s debut chapbook, Remote Control, her lyrically adventurous, playful, and irreverent poems offer wisdom on navigating the human condition. Like the mall vending machine where, at 13, she inserted one dollar and my cursive / for handwriting analysis, Sciortino’s poems dispense elegant, idiosyncratic advice mixed with the fruits of her own loving and astute attention.

It’s better to show than to say she writes in “Advice for a Young Woman Looking for Love” and show she does, through dazzling images and skillful wordplay. With wit and insight, she explores the vivid and mundane moments that make up a life, from postpartum muck, slipped condom funk, to being certain as a fiery coal, purple hot and set to cook, to learning to relax in a moggy right place / clear as water/old as sunlight, all the way to death and beyond.

[M]y work is not/to tell / My work / my love is to show, to point, to offer as gift Sciortino writes in “Not My Last Words.” And what a gift this book is to all who read it.

—Rebecca Jamieson, author of The Body of All Things

About the Author

Laura Esther Sciortino writes poetry, fiction, and lyric essay. Her work has appeared in The Comstock Review, Muse/A Journal, great weather for MEDIA’s Escape Wheel Anthology, Dadakuku, The Flying Dodo, and Unleash Lit. Along with her husband, son, and their three affable cats, Laura lives in Portland, Oregon.

To learn more and get in touch, please visit LauraEstherSciortino.com.

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by Rebecca Smolen

This collection of poems explores what it means to be a woman in the 21^st century. Through the eyes of the poet as young girl, teenager, daughter, granddaughter, wife and mother, we traverse both the triumphs and heartbreaks of womanhood. Let these poems blanket you in the realization you are not alone—you have a community who will help you navigate the waters of misogynistic behavior and societal expectations. The scars of each of our experiences are there to remind us how far we’ve come, and give us the strength to keep rising.

About the Author

Rebecca Smolen is a writer based in Portland, Oregon transplanted from New Hampshire in 2014. She has a deep love for short story, poetry, hugs and animals. She grew up on a dead end road exploring drainage pipes and pond life. Since settling here, she works as a veterinary technician, volunteers with the Pacific Pug Rescue, chaperones class field trips occasionally for her two small children, promotes ‘feminism is for everyone,’ attempts to stay connected with friends, goes to as many writing workshops and retreats as her budget and time constraints allow, and pet sits on the side to earn funds for the aforementioned.

Rebecca enjoys writing darker than most would assume of her, diving deep into forgotten memories and her weird dreams which fuel her creativity. She loves twisting the normal route of thinking and creating new metaphors. She is a true believer that once put down in print, words are no longer for the writer, but instead are meant to help, heal or console others.

You can find her writing recently published in the Unchaste Anthology, Vol. 2, Mutha Magazine, and VoiceCatcher: a journal of women’s voices & visions.

[Instagram: @MC1Rsnap / Facebook.com/rebecca.smolen.5 ]

What They’re Saying…

Womanhood & Other Scars is more than a book. It’s an invitation, not just to peer into the inner life of its author, but to walk around, sniff the marrow inside her bones and explore the bruises buried deep inside. These 24 poems take an unflinching look at life, using metaphors that pulse with the heat of a variety of emotions, from the intensity of maternal love to the aching need to break free from isolation and anxiety.

Many of the poems also celebrate the happiness of connecting with others. In “Dusting,” Smolen muses on the particles of dried skin cells that coat her and “considers of what creatures, wounds, this dust was stripped.” She also comes to the conclusion that in a world where our cells all intermingle, “I can no longer be considered a singular woman nor ever deserted again.” Similarly, in “Where Has Peace Gone?” she says she will “gulp heartily without breath” the laugh of a loving friend. That, she says, is where peace is.

The wounds described in Womanhood and Other Scars often stem from a sense of disconnection, especially between parents and children. The mother in “Never Far From Dwelled Upon Fairytales” is determined to help her daughter achieve outward beauty, but ends up damaging the child who’s now haunted by repeated criticisms of her appearance. In the same poem, the child’s innocence drowns in the “disappointed sigh” of her dad.

In Smolen’s world, the isolation of people living in their separate shells can be intolerable, but through her art, she bravely seeks to make connections by exposing her rawest emotions in her finely crafted poems.

~ Linda Ferguson,
author of Baila Conmigo

Rebecca Smolen’s Womanhood & Other Scars refreshes the messages in Anne Sexton’s poetry: a woman is more than a mother/daughter/wife, more than the blood she spills. Each poem exposes complicated relationships, her mother’s hands like “ballerina’s feet un-shooed” or choosing the “easy love” of children over a sleeping husband. These poems unleash truth that might be unbearable if it weren’t so carefully crafted and deeply developed.

~ Kate Gray
author of Carry the Sky

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by Kali Rose Schmidt

All That She Can is a collection of poetry that encompasses motherhood, family history, what it means to be a woman today—and the lust inside of us all. All That She Can tells the story of love, betrayal, passion, and rage. It explores themes of family while acknowledging the complexity of familial ties; it reaches into grasping the twisted nature of mental health; and it documents the contradictory feelings of elation and rejection that often arise within romantic relationships.

About the Author

Kali Rose Schmidt is a Canadian-American writer and poet from North Carolina currently living in Toronto with her two children, three stepchildren, one husband, and a very large, shaggy dog named Henry. Kali frequently alternates between writing and fitness coaching, between working her mind and her body, and is a certified yoga teacher. She has work published in a variety of journals, including Huffington Post and Moonchild Magazine. She earned her BA in English from Campbell University.

Her first publicly shared poem was written in 5th grade, about her thoughts on 9/11. Her second published work was an underground newsletter written in defiance of the new administration in her high school in 2008, delivered in clandestine places like the school bathrooms and cafeteria. The local news got involved. She hasn’t stepped away from cultural commentary and controversy since.

When not writing or dabbling in fitness, Kali can be found drinking enormous iced-coffees, attempting to teach her children yoga, lounging outside on a sunny day, or hopping on an airplane.

Twitter: @kalirschmidt
Instagram: @kaliroseschmidt
Website: https://kaliroseschmidt.com

What They’re Saying…

All That She Can is a peek inside a half-closed window shade of romance, reality and regret. Kali writes with unforgiving honesty and guts and I like that. A good poet makes the reader feel the pain and the pleasure and Kali gives us that on every page. These are poems you don’t walk away from…you limp. These are stories that leave you bruised…but smiling.

~ Todd Cirillo
author of Burning the Evidence

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